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347 SUMMER 2024 BACKDROP EFFECTBACKDROP EFFECT is the title of Flash Art Internationals summer issue, which explores how artist practices can sometimes serve as serene places of healing, providing viewers with a sense of confidence. We look at how art can foster a restorative process that benefits both artist and audience, creating a symbiotic relationship of empowerment and personal growth. Drawing is like breathing, says Judy Chicago, the subject of this issues first cover story.

who writes that the artist “clearly exploits painting as a means of working through technological systems

Paul Chan at Greene Naftali

A more engaging table of contents

Burgin discerned “a reflex refusal to admit difference that has more to do with our ‘large-scale’ politics than we care to imagine

or even drawings depicting political assassinations or weapons of mass destruction

cheeky like the ones you wouldn’t want to hear

everything is constantly leaking into everything else

in the paintings of Venezuelan-born

Tom McCarthy‘s Satin Island

Cokes conveys a lucid antiestablishment sentiment to criticize mass culture and undo the mechanisms that obfuscate a better

notions of consent beyond physical death

“La Grande Madre”at Palazzo Reale