Lene Markusen – Sisters Alike: Female Identities in the Post-Utopian

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Lene Markusen – Sisters Alike: Female Identities in the Post-UtopianLene Markusen first visited St. Petersburg in 1993. With only a very rudimentary knowledge of Russian, she made drawings of the women she observed in the urban environment. Both of her films GRAD (2004) and Sankt Female Identities in the Post Utopian (2017) are set in St. Petersburg (Sankt Petersburg in Russian) or the former Leningrad. They revolve around a female perspective on the post socialist transformation and the societal and political changes

(but then again) - this is sexual

the movement unsettled representatives of all the established political forces

The artist Ivana Franke combines two aspects in her project Retreat into Darkness: Towards a Phenomenology of the Unknown

paying tribute to the idea of culture as a shared ground to build upon

writer Tirdad Zolghadr (1972 San Francisco) and designer Manuel Krebs (1970 Karachi)

The fragility of identity – sexual and otherwise – in relation to the larger world is a central theme for Thaemlitz

Seiichi Furuya’s Dresden photographs from 1984/85 are a most unlikely document — a view of daily life in the latter days of the GDR recorded by a Japanese photographer

KOPIOITU proposes the notion of cut/copy as a secession from site-specificity

white dildos

Spector Books

Published at the occasion of the eponymous exhibition at Le Bal

Lillet Breddels

Exchange/Return Notes