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#311 November – December 2016This issue explores the interfaces between clubs, clubbing culture and creative communities. The issue is built on two mirroring trajectories. The first addresses club nights, which since the early 2000s have served as backdrops for some of the worlds most vibrant urban scenes: Asian Dope Boys in Beijing and Shanghai (by Milia Xin Bi); Bliss in Vienna (by Natalie Brunner); Clara 3000 in Paris (by Daniele Balice); Dudesweet in Bangkok (by Onsiri

this issue’s “Time Machine” revisits Kyong Park’s conversation with Elizabeth Diller and Ricardo Scofidio

who writes that the artist “clearly exploits painting as a means of working through technological systems

introducing the painterly impossibility of consistently staging visual affirmations of the present

• Disciplined Clothes and Educated Gestures: On Dressing and Walking as a Manifesto of Emergency Between Science Fiction and Reality by Anna Franceschini

Mohamed Almusibli

Don’t They

Nat Faulkner also takes the cover

But do we ever think about what our cultural legacy is going to be

when Genzken transitioned from concrete and industrial materials into handmade assemblage

developed together with her longtime collaborator Chris Svensson

the role of technology in “producing” reality

Lawrence Lek by Anya Harrison

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