Things That Go through Your Mind When Falling: The Work of Forced Entertainment

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Things That Go through Your Mind When Falling: The Work of Forced EntertainmentMaking performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comical failure. With its low fi theatre, intimate text based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking

achieving a high degree of intimacy through attention to detail

which focuses on the period between 1958 and 1992

Taken together

Or color as a by-product of alchemistic photogram processes

these images offer an unprecedented peep into mid 1970s to mid 1980s Melbourne and a milieu of people who would go on to play pivotal roles in Melbourne’s burgeoning cultural scene

Published by Onomatopee (Eindhoven)

”* This paradigm is extended even further in Performer/Audience Sequence (1975) and Performer/Audience Mirror (1977)

who reinvented herself constantly in the course of her life's work

and Mekas began to write a text on it that was quite unusual for him: a novel

teeming caves

hang art and lay a supper table

Sandcastles And Rubbish puts its focus on the site of the port and the industrial landscape around it

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