Original Painting | The Climb | Crossing: 3.3 | 240 x 160 cm Framing Option:White Oak Floating Framed (+3cm) (5.5cm depth) Mineral pigments with atmospheric washes

Mineral pigments with atmospheric washes and textural impasto

The figure sits at the edge of still water where every colour is both real and reflected — where what you see and what you thought you knew split apart

suggesting a reclining figure or animal-like shape

building atmospheric depth through blue-green bush passages with warm pink and lavender light

Original Painting | The Climb | Crossing: 3.3 | 240 x 160 cm Framing Option:White Oak Floating Framed (+3cm) (5.5cm depth) Mineral pigments with atmospheric washesTitle: The Climb Paradox: Less is more. The Story To climb to the top, I decided to carry less. I threw away what I had accumulated for the relief of moving lighter. The climb showed me what was actual weight and what was stored fear pretending to be necessary. Less is more not as philosophy but as the body's relief when the load drops away. Each piece I let go made the next step possible. The Crossing Crossing 3. 3 Resistance via Breaking Breaking